World War II literature is a genre that interests me tremendously. It would be wrong to say that I find it enjoyable, but the fact remains that I actively seek out books on WWII. So far though, most of the WWII fiction (and non-fiction) I've perused has taken place in Europe, so Ballard's much acclaimed Empire of the Sun intrigued me immensely.
The book is a personal not-completely-accurate-and-somewhat-romanticised account of Ballard's childhood where he was living the war, in a war-ravaged Shanghai (which was occupied by the Japanese at the time). The account begins in 1941, and continues till the horrific bombing at Hiroshima on August 6, 1945 and the subsequent devastation in Nagasaki three days later. Jamie, the protagonist, is eleven years old at the start of the story, and we see the War unfold in Shanghai through his innocent eyes. Occasionally child-like, occasionally grown-up, somewhat disoriented, predominantly emotive.
Jamie gets separated from his well-to-do expat parents during one of the Japanese strikes, and eventually, after scrounging around for food at various houses, looking for his parents, or in fact, any Briton, all alone, finds himself at a prison camp, living the survival of the fittest adage. He befriends those who will protect him, continues his schooling thanks to some of the adults at the prison camp, and tries to make the best of the awful situation by finding comfort in the smallest of things, be it having the biggest sweet potato or pocketing one slyly, just in case he needs it in the future, when the paucity of food may become a real issue.
His views are slightly skewed (maybe this is just retrospection talking), as he advocates the Japanese, and in fact, at one point, states that he would like to pilot one of the Japanese aircrafts. A little tentative of change, he gets nervous when the war is drawing to a close, and just wants some kind of stability in the turbulence.
He ate every scrap of food he could find, aware of the rising number of deaths from beri beri and malaria. Jim admired the Mustangs and the Superfortresses, but sometimes he wished that the Americans would return to Hawaii and content themselves with raising their battleships at Pearl Harbour. Then Lunghua Camp would once again be the happy place he had known in 1943.
It's really sad; the rationalisation and the innocence. The prison camps didn't sound as horrific as the concentration camps in Europe, but irrespective, for anyone to live through that is shocking... and for a child, even more so. What... is the point? What was achieved?
But a flash of light filled the stadium, flaring over the stands in the southwest corner of the football field, as if an immense American bomb had exploded somewhere to the northeast of Shanghai. [...] Jim smiled at the Japanese, wishing that he could tell him that the light was premonition of his death, the sight of his small soul joining the larger soul of the dying world.
"Kid, they dropped atomic bombs. Uncle Sam threw a piece of the sun at Nagasaki and Hiroshima, killed a million people. One great flash..."
"I saw it."
All said and done, this book was quite harrowing. What made it a bit of a strange experience, though, was how, at times, it almost read as a documentary - stating facts, narrating events - almost as though the writer was an observer, not an actor. Perhaps that is completely valid, if one thinks about it. Why focus on emotions when the story is powerful enough to evoke extremely strong reactions to the war, its perversity, and the trepidation, monstrosity and futility of it all. It really does fill me with immense despondence and sadness... and even those words feel extremely trite.
Do you recommend any other books set in Asia during the second World War? Or, any other books set during WWII? What is it about that genre that just.... beckons? I almost feel masochistic. Sadistic would be equally apt.
Ghostwritten is David Mitchell's first novel, and on finishing it, I've now read all his works, which pleases me greatly. Of course, the fact that this is a tremendous debut adds to the pleasure, albeit, I really do wish there was another Mitchell on my shelf, just waiting to be read.
The sub-title of the book reads, "a novel in nine parts," and so it is. It could easily a collection of nine short stories, each told in first person by a different narrator, who seemingly have nothing to do with the previous narrator(s). However, six degrees of separation (or fewer) bind the characters together, through time and different geographical locations. The link between the characters isn't blatantly evident though, as one might come to expect from Mitchell, and at times, it's confusing as to how the characters come together, and to figure out if there is any kind of causal sequence. That said, one can't help but anticipate the revelation of the link, and then deliberate over it for a bit, which in turn means that one can't help but read the book, scrutinising almost every word to see where the link lies.
Amy Tan's debut novel, The Joy Luck Club, is the first book by her that I have read. It is also the first book I've read with strong Chinese references, so I wasn't quite sure as to what I should expect from this book.
The Joy Luck Club is the story of four Chinese women who have immigrated to the United States of America, under different circumstances, and all four are attempting to bring up their daughters in America - daughters who think like Americans, despite their mothers best efforts to instil in them their Chinese culture and heritage.