George Orwell - Animal Farm

An anthropomorphic anti-Soviet social satire, this book stirred up a fair bit of controversy, and initially, a multitude of publishers refused to print it, fearing the repercussions of the act. The book focuses on the animals of Manor Farm, and how they go the full circle, from being owned by men and working for them, to being an animal democracy, and then the balance of power shifting again, to one of the species...

In the opening chapter, the Old Baron summons all the animals of Manor Farm one evening, after the farmer - Mr. Jones - has retired for the night. He then tells the animals of a dream where the animals are independent, and working for themselves, and not man. He then encourages them to plan a revolution to overthrow man, and take their fate in their own hands.

And that is exactly what these animals do, by running Mr. Jones out of the farm, and creating a democracy, with seven commandments:

  1. Whatever goes upon two legs is an enemy
  2. Whatever goes upon four legs, or has wings, is a friend
  3. No animal shall ever wear clothes
  4. No animal shall ever sleep in a bed
  5. No animal shall ever drink alcohol
  6. No animal shall kill any other animal
  7. All animals are equal

This is the new improved farm - the Animal Farm - where the animals join forces and work for themselves. Pigs, deemed the most intellectual of all animals, are mutually considered to be the species who would educate the others, as well as plan out the best course of action for the farm. All in all, the animals were ecstatic that they had achieved this utopian dream, and news of their success spread far and wide.

However, soon enough, the pigs became the 'rulers' of this utopia, and started setting down the rules, often overriding the commandments, or adding an exception clause, without informing the other citizens. Napoleon, the elite ruler (who was meant to represent Stalin), with the help of Squealer (supposedly Molotov) started slowly brainwashing the other animals, and confusing them greatly; so much so, that, eventually a totalitarian regime emerged, but the animals didn't even realize what was happening. The final commandment was altered by the pigs to

All animals are equal, but some animals are more equal than others.

No animal was informed of this change, and none of them realized what was actually going on - be it because of their inherently trusting nature, or because of the pack of lies they were fed by the pigs-in-charge. I don't want to give away the ending of the book, but suffice it to say that the last line pretty much sums up the book in a nutshell.

This book explores the failure of communism, and how, while in theory it's utopian; in practice, it just ends up being a totalitarian dystopia (in the context of the Stalin rule, at least). It shows naivety of people, and how easy it is to muddle their thoughts by stretching the truth, or talking so confidently that they start doubting their own memories. For example, when the pigs moved into the Jones' house, and started sleeping on the beds, one of the animals was sure that there was a commandment that denounced this. When he went to the 'wall' where all the commandments were details, what he read was

No animal shall ever sleep in a bed with sheets.

Of course, the pigs denied using sheets.

What is really scary, though, is that the book is so convincing; that the animals are so quick to believe everything. Even when their food rations are decreased, their working hours increased, and the pigs are getting all the apples, they do not revolt against the pigs, for, they believe that it's better than working for the Jones'. Of course, no one quite recalls what that was like, and whether that was a better life, or worse.

While this book sounds political, it's not, really. As in, one can easily read it as a piece of fiction (a fairy tale, as one of its alternate titles suggest), and contemplate on some of the many points raised without matching up the main characters with their corresponding historical figures. Of course, the matching makes the book more interesting, but... I only ended up looking into who each character was after I finished it; more out of interest in the history of the Soviet Union, as opposed to because the book demanded it.

This book is a classic, and I think a definite must-read. It's practically been on every 'list' of must-reads and best books, and there's a reason why.

An 8 on 10, with my only complaints being that the book is overtly simplistic, and, not the reader is not completely clear as to who each character of the book is. Of course, if it was abundantly clear, the reader would complain that little is left to the imagination....  Also, I can't help but wonder how would things have materialized if the pigs were capitalists, not communists... any ideas?

Gyorgy Dragoman - The White King

Dragoman's The White King is a coming-of-age tale, based in a communist Romania, under the Ceausescu rule. 

11 year old Djata, the book's protagonist, lives alone with his mother, after his father has gone away on 'business'. While his father had told him that he will be back within a couple of weeks, months have passed with no word. 

However, as the book goes on, we learn that his father has not actually gone away on 'business', but he's a prisoner, and is forced to do manual work on the Danube. However, Djata still clings to hope, that his father will be back soon, and they can continue making plans together. 

While this is the main theme of the book, interwoven are many chapters and episodes, about the boy's life, growing up in a communist state. Occasionally reminding the reader of Mark Twain's Huckleberry Finn, the truants and events described in this book range for terrifying to humorous. Each of the eighteen chapters holds as a short-story of its own, linking to the main story in bits and bobs. It tells of the sadistic football coach, contractors forcing schoolboys to carry out their task, child-gang 'wars' and bullying. It illustrates the child-like innocence of Djata as he plucks a bunch of tulips for his mother, the brattishness as he steals the white king, in a game of chess against a robot, to ensure he doesn't lose; the gang war that takes place, for the sake of a ball, and the risks the boys take, to ensure they don't get into trouble in school as a consequence of their own mischief. Of course, in the midst of all this is Djata's complex relationship with his family - his grandfather who once had a political career, but has now fallen from grace due to his son's capture; his mother who pines for his father and wishes for him to come home; and the strained relationship between the only two adults in his life. 

This is an insight into childhood in Romania in the 1980s, and how violence breeds violence. It makes the reader wonder whether childhood in that time and age can actually be called that? And, it brings a smile, as it reminds us that no matter what, children will always be children. 

7/10 for me.

Milan Kundera - The Book of Laughter and Forgetting

This book is a novel in the form of variations. The various parts follow each other like the various stages of a voyage leading into the interior of a theme, the interior of thought, the interior of a single, unique situation, the understanding of which recedes from my sight into the distance. It is a book about laughter and about forgetting, about forgetting and about Prague, about Prague and about angels. That's how Kundera sums up his book, within the text, as he reflects on life, the characters he's created, and how we're all bound by just one thing: the past; which is why, the children are our future. "Children have no past, and that is the whole secret of the magical innocence of their smiles".

The book is divided into seven stories, each independent of one another, but for the fact that the stories are based in and around the same time and place: a Czech Communist state in the 1970s. It's a book about love, about losing, about moving on, about laughing, about philosophy.

I don't know what inspired this book, but it's beautifully written, and I challenge anyone to open a page and not find some quote, reflection or dialogue that completely blows your mind away. The stories are interesting, be it about Tamina, the young widower  who tries to recollect each and every memory of the 'happy' life she shared with her husband, or about litost (a state of torment created by the sudden sight of one's own misery); be it filial love and devotion, or about going to see an old loved one - who the protagonist has truly loved, but never admitted - for his lover's ugly; or, be it about poets getting drunk and talking through the night about nothing at all, but at the same time, talking about everything.

A poet's pride is not ordinary pride. Only the poet himself can know the value of what he writes. Others don't understand it until much later, or they may never understand it. So, it's the poet's duty to be proud. If he weren't, he would betray his own work.

Kundera's observations, as he creates his characters, and gives them life, adds to the charm, specially when he talks about Tamina - and literally dedicates this book to her (in the text itself), while she seems to be a fictional character, consumed by pain and a dire need to forget, and get away. Move on, if you like.

And then there's the misogyny. From the opening chapter, where Mirek is ashamed of his passionate love of Zdena, a woman few years his senior, only because Zdena was guilty of something differently serious. She was ugly, to later on, where a character defends rape, and almost discusses how beautiful it is - because, women are prone to saying 'no', by default, even if they mean yes. Yes, that made me wince.

It's also a book about sex, and seduction. Sometimes, the attempted seduction results in litost, and sometimes, it results in the girl going to the bathroom and throwing up.

Ironically enough, it's a sad, despondent book; beautifully written. It invokes pangs of sadness, moments of reflection, and it does beg the question: what will the future bring, and like children, will I be able to laugh and forget, instead of being weighed down by the past, and subsequently, forgetting to look to the future.

So far, it's the best book I've read this year.