J.K. Rowling - Harry Potter and the Half Blood Prince

Background: I saw the penultimate Harry Potter movie on Wednesday, and was quite astounded that I did not recall most of the book, which I had read in summer 2005. It slowly came back to me, as the movie progressed, but I couldn't help feeling I was missing a fair bit. So, I dug out the book from the back of my bookshelf, to re-read it, and much to my surprise, I really enjoyed it, this time 'round (I had been fairly disappointed with my first read). This post is not going to be a book review, but, more of a book vs. movie post, as there were a fair few interesting discrepancies, which I'd like to explore.

Review: There is always a lot of excitement, when the movie adaptation of a popular book is released, specially when the movie in question is Harry Potter, which has had a cult-following world-wide. Harry Potter and the Half Blood Prince is no different. Packed with adventure, romance, and suspense, this adaptation follows Harry Potter and his friends (and enemies) into their sixth year at Hogwarts, where academics are tougher, quidditch more important, and the quest to find out more about The Dark Lord superseding almost everything else.

Death Eaters have become more powerful, and are wreaking havoc in both: the Muggle and wizard world. Harry Potter is still struggling to cope with the death of Sirius Black, his godfather, but avoids talking about it to anyone. Like most other parents, Ron Weasley's mother is paranoid about the safety of the children, and is being more protective than usual. Her 'special' clock, which shows the location of each family member, as opposed to the time, has all its hands on 'Mortal Peril' (this bit is missed out in the book).

Just before term starts, and Harry and his friends are in Diagon Alley, picking up their books and other materials for school. They see Draco going into Borgin & Burkes, a shop famous for its involvement with Dark Magic, and they try eavesdropping on the conversation going on inside. Based on it, Harry is convinced that Draco has become one of Voldemort's latest recruits, but, Hermione and Ron disregard this theory.

There is a new Potions teacher at school now, Professor Slughorn, and Snape finally gets the role he's been eyeing for a long time: Defense Against The Dark Arts. Dumbledore, the Headmaster, tells Harry he's going to give the teenager private lessons this year, which turns out to be sessions looking into the memories of various people involving Voldemort: from the time Dumbledore went into the orphanage to tell him that he is a wizard, to before his birth.

And of course, the reason why the book is called The Half-Blood Prince: Harry hasn't bought his Potions text book, and ends up picking one out from the cupboard in the classroom. The book he picks out has instructions over and above the texts, which makes him seem like a gifted Potions student, causing Hermione to be envious and Slughorn to think Harry is a natural. The book also has some spells written by its previous owner, and they seem like harmless fun to Harry. Hermione, of course, has another view: the book is dangerous! In the book is scrolled: This book is the property of The Half Blood Prince.

Finally, the  romantic element: first off, there's Hermione and Ron. When Ron has an exceptional quidditch game, and Lavendar kisses him, Hermione walks out, and avoids Ron, making things increasingly uncomfortable for Harry. The whole time, when Ron and Lavendar are going out is dotted with Hermione's blatant envy and she goes as far as going to a Christmas party with a despicable student, just to make Ron jealous. Simultaneously, Harry has feelings for Ginny, but as she's going out with Dean, he cannot do anything about it... specially, as she's his best friend's sister.

So, now, book vx. movie:

Due to the numerous sub-plots in the book, the movie was always going to be a tough one - trading off between time, and story. My main gripe with the movie was that it focused way too much on the teenage romance, as opposed to the plots that made the book gripping, i.e. Volemort's history. The book has about six memories, involving Voldemort. The movie, only two.

The book is also considerably darker than the movie, as various characters are under the Imperius curse, and act on it. They show Dumbledore's arm as burnt, but they never explain why in the movie either, whereas the book does say it was to do with finding and destroying Voldemort's ring. While explaining some of these concepts would make the movie more complicated to a Harry Potter novice, it probably gives a better insight into how things worked in the wizarding world, how bad things had become, and the sacrifices that needed to be made.

The final scenes of the book: the great fight, and the funeral of an important character were completely omitted from the movie, and I struggled to understand why. The final fight is one of the most gripping parts of the book, and the funeral in the book is described so vividly, that I can imagine it being incredible on the screen.

Many of the important characters either have a miniscule role, or aren't existent in the movie, at all, with Tonks and Lupin coming to mind. However, Luna still exists in the movie, which makes the whole thing slightly bizarre.

The movie has an additional scene, where some of the Death Eaters attack the Weasley's home during Christmas, but, I still am unable to determine what this adds to the plot, other than making Mrs. Weasley more paranoid and scared. The graphics though, were amazing.

Actually, the graphics throughout the movie were far superior to some of the other movies (barring the Chamber of Secrets chess game). This might have something to do with not that many magical creatures being displayed on the screen. Even in the opening scene, when the bridge breaks, I was amazed at how well they had directed it. The dialogue was fast, and witty, and while it's always tough to capture the essence of the book, I thought the movie did a reasonably good job. Think the movie was aimed more towards children, whereas the book targeted at young adults.

The language in the book did depress me somewhat, with the characters using words like 'prat', or, 'making rude hand gestures'. Maybe I'm old-fashioned, but I still think children's books should steer clear of these elements.

Movie rating: 3 Book rating: 4

Terry Pratchett - A Hat Full Of Sky

Background:

This book was picked up as part of the Take A Chance Challenge - Random Word Selection. The word I picked out was 'sky', and I entered the word in Amazon. The second result I got was A Hat Full Of Sky, and it was an easy decision. I've never read a Terry Pratchett book before, but I've had wonderful things about his books, and figured, this is a golden opportunity handed over to me on a silver plate. How can I refuse? It was a great start to the challenge, for I loved the book, and am going to try reading more of Pratchett. So, if you have any recommendations, please let me know.

Review:

This is the sequel to The Wee Free Men, and it follows Tiffany Arching's adventures, this time with her being an apprentice to research witch, Miss Level. Tiffany, still relatively new to the world of witches, hopes to learn from her employer, and become a fully qualified witch, during her apprenticeship. However, things don't quite pan out that way, as she helps Miss Level take care of the needy in the village, without actually using any magic. Miss Level says a witch doesn't always need to do magic. All a witch needs to do is not 'go to the bad side'.

However, Tiffany has one trick, which she hasn't shared with anyone yet - she can step out of her body at will, leaving it an empty vessel. What she doesn't know is, an ancient and bodiless spirit (a hiver) is just waiting to inhabit her body, and take over. And so it does. What ensues is drama, as the cleverest of witches (Granny Weatherwax, Miss Level) and the Nac Mac Feegles (a wee fairy race (they are extremely tiny), who protect Tiffany, from the time she acted as their 'Kelda' - this was done in the previous book of the series) attempt to get rid of the hiver, and bring the real Tiffany back, before the hiver takes over completely, and Tiffany is lost forever, in her body. At the same time, the hiver's disregard for anything moral coupled with Tiffany's powers wreaks havoc, as she turns a man into a toad, 'borrows' Miss Level's broomstick, and goes on an expensive shopping spree which, without her powers, she'd never be able to afford... she's turning over to the 'bad side'.

This is a well-written page-turner, which has oodles of dry humor. The characters are extremely well-drawn, and one cannot help but associate with all of them, from Tiffany to the Nac Mac Feegles (who are probably the best drawn out group). Despite the Nac Mac Feegles being drunken thieves, you admire them being loyal and good=hearted, while simultaneously appreciating the lack of conscientiousness. There's a part in the book where Miss Level is horrified that they're talking about invading her body, to get the hiver out, for it would mean invading her privacy. They reply saying they've already read her diary, and if it was that personal, she wouldn't keep it in the sock drawer. And when Tiffany goes on a perilous mission, one of the Nac Mac Feegles joins her, saying he's promised his wife that he'd help her eliminate the hiver.

As you'd expect for any children/young adult book, it demarcates between good and bad, courage and cowardice, loyalty and flippancy. The obnoxious fall, and the good rise to the occasion to help. So, the feel-good affect that this book has is an added bonus.

Rating: 4

Jay Asher - 13 Reasons Why

We've all faced the wrath of high school. Either we were too fat, or too thin. Either people expected too much of us, or nothing at all. Either we were 'cool', or we were 'geeks'. Some of us made our peace with it, while some of us still hate that part of our past. Children can be cruel. Adolescents more so. And this book draws on that very attribute of teenagers, to show how harmless 'fun' resulted in a young attractive girl deciding that suicide is her only escape. Thirteen reasons. Thirteen. The Baker's Dozen. And the protagonist is called Hannah Baker.

Imagine this. You wake up one morning, and see a parcel on your front door. I don't know about you, but I love parcels, specially unexpected ones (i.e. not Amazon parcels!). You open them eagerly, to find a bunch of tapes. Tapes in the twenty-first century? Yes. Exactly. It's unheard of. But, your curiosity gets the better of you, and you remember the stereo in the garage. You pop in the first tape, and you hear the voice of a girl you used to know, a girl you liked a lot, a girl who chose to kill herself. And you start...

Or well, Clay Jensen did. At the very outset, the message the tapes carried were clear: if someone was listening to the tapes, it meant they were one of the reasons why Hannah Baker decided to end her life. She refused to inform the listener which tape was theirs, but just made the one promise: But fear not, if you received this lovely little box, your name will pop up.

The story follows Clay around the city at night, as he listens to Hannah's story, and traces her steps in sync with her narration, that spreads seven tapes/thirteen sides. Be it a cafe, an ice cream parlor, or her old house. Even to the house where they once made out... and as the thirteen reasons unfold, one thing is clear: Clay's life will never be the same again. Getting a message from the beyond can shock you to bits, but being told that you're one of the reasons why a girl committed suicide - that's much worse.

The reader can almost sense the emotions and pain that Clay is experiencing, as he listens to these stories, as he reconstructs some of the events, and as he finds himself sickened by some of the acts of gross misconduct his classmates are capable of. From the 'nicest' girl in school using Hannah, to the biggest jerks objectifying her. From her first boyfriend spreading rumors about their relationship, to a casual date with a 'goofy' guy resulting in him trying to finger her. She seeks help, in her own way, but doesn't get it.... and Clay constantly reminds us that he would've been there for her, but she didn't reach out to him. And he recalls his memories with her... be it at work, at school, or at that 'party'. Even more so, he doesn't quite fathom what he's doing on these tapes....

It's a sad story, albeit beautifully written. It doesn't focus on depression. Instead, it's a page-turner, keeping the reader in suspense; the perverse part of us wanting to know more about why someone's decided to take this humungous step... about what finally pushed them over the edge. It reminds us again (not that we need reminding) about the futility of bullying, and how we should notice people's silent pleas for help. Never know, when people are looking for one reason to cling on to life, every little helps. And how, sometimes, someone, makes up their mind to do something, and are completely calm, composed and at peace with it. And nope - it's not always a cry for attention.

Lastly, I do want to highlight that this is a work of fiction. In fact, it's Asher's debut novel, and he claims he got the idea from the audio guides used by museums. While this isn't available in most UK high street stores, if you do stumble upon it, give it a read. It'll make you smile wanly at moments, and it will bring a tear to your eye.

Overall rating: 7.5/10

Gyorgy Dragoman - The White King

Dragoman's The White King is a coming-of-age tale, based in a communist Romania, under the Ceausescu rule. 

11 year old Djata, the book's protagonist, lives alone with his mother, after his father has gone away on 'business'. While his father had told him that he will be back within a couple of weeks, months have passed with no word. 

However, as the book goes on, we learn that his father has not actually gone away on 'business', but he's a prisoner, and is forced to do manual work on the Danube. However, Djata still clings to hope, that his father will be back soon, and they can continue making plans together. 

While this is the main theme of the book, interwoven are many chapters and episodes, about the boy's life, growing up in a communist state. Occasionally reminding the reader of Mark Twain's Huckleberry Finn, the truants and events described in this book range for terrifying to humorous. Each of the eighteen chapters holds as a short-story of its own, linking to the main story in bits and bobs. It tells of the sadistic football coach, contractors forcing schoolboys to carry out their task, child-gang 'wars' and bullying. It illustrates the child-like innocence of Djata as he plucks a bunch of tulips for his mother, the brattishness as he steals the white king, in a game of chess against a robot, to ensure he doesn't lose; the gang war that takes place, for the sake of a ball, and the risks the boys take, to ensure they don't get into trouble in school as a consequence of their own mischief. Of course, in the midst of all this is Djata's complex relationship with his family - his grandfather who once had a political career, but has now fallen from grace due to his son's capture; his mother who pines for his father and wishes for him to come home; and the strained relationship between the only two adults in his life. 

This is an insight into childhood in Romania in the 1980s, and how violence breeds violence. It makes the reader wonder whether childhood in that time and age can actually be called that? And, it brings a smile, as it reminds us that no matter what, children will always be children. 

7/10 for me.

Michael Morpurgo - Waiting For Anya

Twelve year old Jo, a shepherd boy, lives in a small French mountain village, during the late 1930s-early 1940s. World War II's broken out, and Jo's father is away in action, while Jo is assuming some of his father's responsibilities, and simultaneously attending school. The War is far away from this village, and to Jo it almost seems quite unreal, and he's unsure of his opinion about it. What Jo thought about the war and about the occupation seemed to depend on whether he had just talked to Maman or to Grandpere: he could never make up his mind.

His mother just wanted the War to end, and his father to come home, whereas his grandfather was eyeing victory.

However, things change drastically for Jo, when he discovers that Widow Horcada and her son in law are smuggling young Jewish children into Spain, in order to help  them escape a worse fate at the hands of the Germans. The Widow is supposed to be an unpopular woman in the village, due to her sharp tongue and dislike for children - The children in the village called her 'The Black Widow', and not just on account of the long black shawl she always wore over her head.

Bernard, the son in law, and the Widow insist that Jo keeps a secret, and Jo, albeit unhappy about lying to his mother and grandfather, agrees to do so. He even takes on the responsibility of helping the Widow with her food-shopping, as more and more children find shelter in her barn. However, when the Germans start patrolling the Spanish border, danger for the children and the adult pair seems imminent. Jo continues to stick to his convictions to help them, at all costs, and earns the trust and respect of the Widow as well, over time.

This is an adventure story, a story about the Holocaust, and World War II. More importantly, it's a story about unity, human nature, bravery, friendship and a child's innocence. It talks about the pointlessness of War, and how both parties stand to lose. It touches upon how some Germans don't understand what they're fighting for, and how they are losing their families and loved ones as well. It poignantly shows the difficulties a soldier faces on coming back home, after four years, when life has moved on for this family, despite his absence. And it is essentially a story about a few people who are ready to sacrifice everything to do the right thing.

A descriptive, eloquently written text, Waiting For Anya is one of those books that is bound to bring a tear to the eye, specially right at the end, when Jo is introduced to Anya, Bernard's daughter. Anya and Bernard left Paris together, but got separated en route to the Widow's place. They had a promise that they'd wait for each other there, and Bernard had full faith that his daughter would be back one day: Two years, ten years, however long it takes. She'll come. And when she does, we'll be waiting for her just like I promised her.

Overall, a 7 on 10 - probably a notch below the likes of The Book Thief and The Boy In The Striped Pajamas, when it comes to children's books based during the World War II era, but, a must-read anyway.

Michael Morpurgo - WarHorse

I don’t know why I picked up this book. It might have been because I’ve got The Butterfly Lion and Private Peaceful on my reading list. It might be because it was the only book that looked tempting at Waterstones the other day (and I couldn’t find a copy of The Great Gatsby - the book I actually wanted to purchase). I don’t know - but, I picked it up, and silently cursed myself, for... the last couple of times I’ve picked up a book without reading any reviews, I’ve regretted it (Suspicions of Mr. Whicher being a prime example). But, this book ended up restoring my faith in impulsive book buying.

The gist at the back of the book only lets you know that it’s a story of “truest of friendships in the worst of wars”. What it doesn’t tell you is, the book is written in first person, and the protagonist is a horse. Does the title of the book give it away? Maybe so - but, frankly speaking, it wasn’t what I expected when I started reading the book, and for a moment I despaired - I mean, not every author is like Sewell, who succeeded in making the story of Black Beauty one of the most loved horse-stories ever. I was prepared for a painstakingly unimaginative pathetic fallacy, where the story has been done in a gazillion other equine-books. But... like I’ve already indicated: the book was a pleasant surprise.

The book follows the story of Joey, a half-thoroughbred, who was bought by a drunk farmer during an auction, only to outsmart one of his rivals. However, the farmer’s son seems to be the diametric opposite, and trains the horse with love and care, and surely enough, the horse reciprocate the feelings:

They (father and son) stood together at the stable door. I noticed with infinite pride and pleasure that my Albert was already taller than his father, whose face was drawn and lined with pain.

One does wonder why on earth they’re training a half-thoroughbred to be a plough-horse, but there you have it.

War (World War I) is on the verge of breaking out, and when it finally does, the farmer sells Joey to the Cavalry, without letting Albert know. This is probably the only time in the book where we see the softer, more remorseful side of the farmer, as he apologizes to Joey, saying he is desperately in need for the money. And so it is - Joey becomes part of the Cavalry, and instantly befriends Topthorn (another Cavalry horse).

The horse, with a penchant for poetic language, describes the horrors and destruction that War brings in its wake, focusing on the emotions, the hardships, the frustrations and the futility of it all, as he sees horses and people dying, guns being fired endlessly, and people (and horses) struggling to find food or warmth in the bitter winter.

Still the guns bellowed out their fury and the ground shook beneath us. We passed the field hospitals and the light guns before trotting over the support trenches to catch our first sight of the battlefield. Desolation and destruction were everywhere. Not a building was left intact. Not a blade of grass grew in the torn and ravaged soil.

As the war progressed,horses were used for transport, as opposed to for charges. When Joey and Topthorn (and their respective riders) are taken as German prisoners of war, the two fine horses end up pulling German ambulances. At that time, they’re kept in stables, for the first time since the war began, and their care-taker is a young girl, who pours affection on them, and always wants the best for them. Again Joey describes why horses like children, their softness and gentleness unparalleled, and allows the reader another glimpse into the psyche of the horse.

The book is heartwarming, and sad, as people die, horses die, and there seems to be a remarkable injustice. But, to be fair, that just about sums up war: where people sometimes lose track of the reasons they’re killing others, and kill only because the other man wears a different color uniform, and speaks a different language. As tragedy strikes, as Joey loses multiple owners, as he’s starved and freezing in the winters, and as he sees his friends losing the will (and strength) to go on, he ends up pushing himself and the reader cannot help but admire the horse: the loyalty, the sense of friendship, and the determination.

This is a story of a horse (surprise!), but more than that, it’s a story of affection, trust, and love - between master and horse, between horses, and between people. The ending stands testimony to that, and somehow, it ends up being a feel-good book, despite the horrors and atrocities detailed and described by the war horse, and war veteran?

Overall, five stars! And yes, I’ll definitely be reading more by Morpurgo.

Anne Holm - I Am David

A young boy, with the help of a prison guard, escapes from a concentration camp and tries to find his way to Denmark. David is convinced that there is some kind of catch, and there will be people waiting to catch him, punish him and throw him back in the camp, at every point during the initial stages of the escape. Only then does he start believing he can actually escape, and leave the horrors of the concentration camp far behind.

The book almost reads like an adventure story, as it depicts the innocence, kindness and bravery of the twelve year old, who has never experienced the outside world, who does not know what most fruits are, and who actually voluntarily asks for soap as one of the things he’d like to have when he escapes. We read of how paranoia makes him run away, how he risks his own life to save that of a young girl, of how he sticks to his ethics and morals through everything, and how he still manages to find pride in what he does and does not succumb to being treated with contempt (in this case, by an American couple who reckon he’s a mischief-maker).

The end of the book is beautiful and happy, unlike some other children’s books based in the same era, and lots of questions that probably come to the mind of the reader are answered (why did the prison guard help his escape, being the key one).

A feel good book. 6.5 on 10.